Sharing PD Learning with Students

Professional development meetings are usually an aside, right? We often want to hurry and get them over with so we can get back to our classrooms and students.

But what if we deliberately embraced them as part of our learning process? And no, I don’t mean a general, feel-good, kiss-up-to-the-admin kind of embrace.

I mean, what if we identified one genuine learning moment, and then (here’s the important part) shared that learning with our class when we returned?

It was easy for me the first time I did this, simply because that particular professional development training had been a particularly engaging and enlightening session.

My students had always asked where I’d been when I returned from meetings. But this time, rather than my usual quick response of “meetings,” so we could get back into our learning, I opened up:

(them) “Mrs. Wade, where did you go?”

(me) “A meeting for teachers to learn about how to become better teachers. Did you know we do that? And guess what?! Do you know what I just learned about? Reading workshop! Want to try it?”

My enthusiasm was contagious, and they were instantly curious. I couldn’t have planned a more perfect opportunity to introduce the very concept we’d been encouraged to start implementing.

I continued sharing with them about how I’d learned that we could model reading workshop just like we do writer’s workshop; namely, a mini lesson, guided practice, and wrap up. I shared how I’d discovered that they can make connections during reading workshop that will help them strengthen their writing, and vice versa. And I shared how excited I was because discovering and practicing reading strategies in this way seemed much more interesting than reading comprehension worksheets.

When I asked them if they wanted to give it a shot, they were all-in. And when we actually started, we kept the open dialogue going. I would say things like, “What did you think? How did that compare to the way we used to do that? How could we improve this process?

There was an openness, an energy, and a collective commitment to make this work. And I believe this stemmed from trust. Because the truth was, I was a novice at reading workshop. I had just barely learned about how to implement it.  So I know that had I instead pretended to be the expert, rolling it out in a grand introduction of authority, we would have lost that precious element.

When we let our students see our authentic learning process, we build trust and respect and cooperation because they know we’re in this arena, too. And when we let them in on the vision (even if all the little pieces are not yet in place), they are more willing to bring it to life together.  Our students need our genuine, messy learning process more than they need a polished and perfect appearance of control.

featured image: DeathToTheStockPhoto

Top 10 Read Alouds for Upper Elementary from 2016

2016 has been an excellent reading year for me. I’ve renewed my use of Goodreads, enjoyed sequels in favorite series, and discovered a new genre I deeply enjoy (more on that later). My old lists of read alouds for upper elementary grades featured a lot of favorites I had read long ago (first list, second list), but not a lot of recent reads.

So to keep my recommendations fresh, and to help me keep up my momentum of reading more books, I want to start making a habit of sharing my favorites reads at the end of each year, starting today (note, these are not necessarily books published this year, but rather ones that I read this year). Hopefully this list will be timely for teachers looking for a quality winter-break stack (and for my own children and students down the road)!

#10: Confessions of an Imaginary Friend: A Memoir by Jacques Papier, by Michelle Cuevas

This book had me tickled by the fact that, without the title, readers wouldn’t even realize the narrator was not, in fact, a living breathing member of the family for the first several chapters. Rather, he seems more like just a kid with a lot of problems with getting ignored. This is a genre that I’ve designated as “other-worldly whimsical,” a personally-defined subset of modern fantasy of which I find myself constantly wanting more. A hilarious yet profound read about belonging and self-understanding.

#9The Boy Who Swam with Piranhas, by David Almond

This book originally caught my eye because of Oliver Jeffers. I was delighted to discover that David Almond’s style very much parallel’s Jeffers’. Follow Stanley Potts as he discovers his destiny far from his fish-canning home. You and your students will enjoy themes of courage, confidence, wonder, rules, and conformity. Also one I’d classify “other-worldly whimsical.”

#8: The Magician’s Elephant, by Kate DiCamillo

The Magician’s Elephant felt like a lovely poem or perhaps a dream. “We must ask ourselves these questions as often as we dare. How will the world change if we do not question it?” Peter Augustus Duchene changes his world by asking the question, “Does my sister live?” Readers then follow him through an enchanting and mysterious tale of truth and love.

#7: The War that Saved My Life, by Kimberly Brubaker Bradley

Like the Pevensies of Narvia, Ada and her little brother are sent to the country away from war-torn London during WWII. There, they, too, discover a new world with their caretaker–one full of love, acceptance, and hope. This historical fiction will move and inspire your class.

#6: The Wild Robot, by Peter Brown

This outdoor adventure-loving girl fell in love with this book the moment I read the words, “If you stand still in nature long enough, something will fall on you.” It’s just so–real. Peter Brown helps us ponder what might actually happen if an advanced A.I. robot found herself on an uninhabited island. How might she adapt to her surroundings? Would she be able to learn the language of animals? And would she–a man-made creation–be able to find her place in the natural world?

#5: The Inquisitor’s Tale, Or Three Magical Children & Their Holy Dogby Adam Gidwitz

From the fascinating approach to narration, to the way we are invited to truly access life in medieval times, this is a fresh and truly unique story. I especially loved the idea of “illumination” as opposed to illustration, keeping in line with a common medieval practice. Learn of three children whose powers have the entire kingdom–from the king of France down–in awe, fear, and/or admiration.

#4: The Seventh Wish, by Kate Messner 

See my review here.

#3: Pax, by Sara Pennypacker

This is a tale of bonds that even miles and a war-torn country cannot break. Follow a story that shifts in perspective between Pax the fox and his boy, Peter.

#2: Lockwood & Company, The Screaming Staircase, by Jonathan Stroud

If you are looking for a series that will have your students begging for more, this is it (I actually read book 4 in the series this year, The Creeping Shadow, and am dying to find out when book 5 comes out!). Lucy and her companions, Lockwood and George, are teenage agents working to rid London of the Problem (a development in which ghosts return, wreaking panic and death among the living). Only children can see the Visitors, but Lockwood’s is the only company that consists only of children. It is a bit creepy, so you might want to run it by your students before choosing it as a read aloud–but if they aren’t too nervous, it will have them on the edge of their seats!

#1: Three Times Lucky, by Sheila Turnage

I just finished reading the third and final book in this series (The Odds of Getting Even), and I loved every moment of it! Mo is probably the wittiest and sassiest 6th grader you’ll meet, and her best friend Dale is an equally loveable character. Follow the duo as they establish the Desperados Detective Agency and solve a murder. Packed with hilarious figurative language, mystery, and small town charm, Three Times Lucky is simply a must-read!

featured image: DeathToTheStockPhoto

A 2 Year-Old’s Favorite “Things That Go” Books #TeacherMom

You know your local library rocks when even your two year-old can access his favorites with ease. One such accessibility detail includes sorting the high-interest books by category, such as ABC’s, colors, dinosaurs, princesses, potty training, and above all (at least in my son’s eyes), “Things that Go.”

Every week, he makes a beeline for that section, quickly piling books on tractors, buses, cars, boats, planes, and bikes (and every week, we face the immortal struggle as he refuses add his books to the bag, but he can’t carry his entire selection. I can’t be the only parent that has failed to convince their child of the purpose of the book bag, can I?).

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Over time, I’ve come to notice he has definite preferences. So, for other parents of “things-that-go”-loving kids out there, I thought I’d share those for today’s #TeacherMom post. After all, every book in their hands that helps them make significant personal meaning is what it’s all about. And right now, for my son, most of that significant personal meaning revolves around “things that go.” So here we go:

construction

His absolute most-selected “things-that-go” book is Sally Sutton’s “Construction.” It might be the attention to detail in constructing a building. Or the variety of tractors and construction vehicles. Or perhaps the fun rhythm and abundant onomatopoeia. Or all of the above.

night-driving

This is probably the most my son has enjoyed a black-and-white illustrated book. “Night Driving,” by John Coy depicts a special nighttime road trip with a father and his son.

sheep-in-a-jeep

Sheep in a Jeep” by Nancy Shaw has now brought multi-generational delight to my family. The spare rhymes offer endless laughter with hilarious illustrations to match.

the-plan

Alison Paul’s “The Plan” is an instant classic. For now, my son just enjoys the process of a child constructing a plane, but eventually, I’m sure he’ll come to appreciate the deeper themes, along with the simple literary construct of shifting one letter per page.

flight-1-2-3

“Flight 1-2-3” by Maria van Lieshout is another frequent choice. The graphic design and use of actual airport symbols engage my son every time.

axel-annie

A bus + an enjoyable story-line of perseverance = another favorite read. “Axle Annie” by Robin Pulver will have your child wondering what’s next!

little-blue-truck

Alice Schertle’s “Little Blue Truck” gets double points with my 2 year-old as it brings farm animals into the mix. And I love that it addresses what kindness really means.

who-sank-the-boat

Another oldie-but-eternally-goodie is Pamela Allen’s “Who Sank the Boat?” It’s always fun for little ones to guess who, in fact, will sink that boat!

on-the-move

“Little Explorers: On the move” by Ruth Martin is a recent nonfiction discovery that has also become an instant favorite. My son spends a good deal of time checking under every single flap.

little-reds-riding-hood

“Little Red’s Riding ‘Hood” by Peter Stein is a delightful vehicular fractured fairy tale. Little Red the scooter meets the big bad Tank–what’s not to love?

old-mcdonald-had-a-truck

“Old MacDonald Had a Truck” by Steve Goetz is another fabulous vehicles-meets-farm story, with an ending that reveals what Old MacDonald and Mrs. MacDonald have been working on all along.

duck-on-a-bike

In “Duck on a Bike” by David Shannon, Duck shares his bike-riding antics with all the other farm animals–and finds out what happens when a bunch of kids park their bikes.

featured image: DeathToTheStockPhoto

Meeting Your Students’ Authentic Reading Needs with Goodreads

I recently started reading Donalyn Miller’s The Book Whisperer. Two quotes stand out sharply to me. The first:

“I believe that this corporate machinery of scripted programs, comprehension worksheets (reproducibles, handouts, printables, whatever you want to call them), computer-based incentive packages, and test practice curriculum facilitates a solid bottom-line for the companies that sell them, and give schools proof they can point to that they are using every available resource to teach reading, but these efforts are doomed to fail a large number of students because they leave out the most important factor. When you take a forklift and shovel off the programs, underneath it all is a child reading a book.”

Amen!

“I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go, don’t-look-at-my-Amazon-bill. I choose purses based on whether I can cram a paperback into them, and my books are the first items I pack into a suitcase. I am the person who family and friends call when they need a book recommendation or cannot remember who wrote Heidi. My identity as a person is so entwined with my love of reading and books that I cannot separate the two.”

The best literacy teachers I know of are these kinds of readers. And they do it without the “corporate machinery” of literacy instruction.

It’s obvious why, isn’t it? For one thing, they are able to give timely book recommendations tailored to students’ needs and interests; their kids don’t need those drill-and-kill comprehension worksheets when they are already talking excitedly about that book you helped them find! More importantly, these teachers have thoroughly shaken off the hypocrisy of teaching students to embrace something they themselves do not. They keep literary enthusiasm front and center, regarding books as familiar friends, rather than as benchmarks to “pass off.” They are the embodiment of those “not the filling…a pail, but the lighting…a fire” (William Butler Yeats). Our literacy teachers should be the best readers around.

Yet, for me personally, I admit that I have felt overwhelmed by these prodigious teacher-readers. I love reading, but I have limitations that make me worry that I wouldn’t be able to meet my students’ needs as well as they can.

For me, those limitations here boil down to problems: #1) I’m a slow reader. #2) I have a terrible memory for book titles.

Enter Goodreads. Though I’ve had an account for years, I’d always considered it to be too cumbersome to use regularly. But the two features below have at last shown me how my efforts there can be richly rewarded and magnified to meet my students’ and my own reading needs.

Problem #1: Slow reading 

I don’t read the volume of books that these teacher-readers that I admire do. Without that volume, it’s difficult to offer suggestions that sufficiently meet their needs and interests. But as I sort books that I have read into custom digital shelves on Goodreads (see below), it generates recommendations based on the genres/levels of those shelves. This allows me to leverage the reading/reviews of millions of other readers to help me get that perfect book in my students’ hands.

Problem #2: Memory for titles

For the still-many books I am able to read, the titles tend to swirl together over time, making it difficult to pull one out for a timely student recommendation. Goodreads solves this problem by allowing me to sort and “shelve” these books into a personalized library with custom categories.

To an outsider, my many shelves may seem like madness, but for me, I know they will help me pick out the trees in the forest, so to speak. Some of my current shelves include:

  • 5th grade: Friendship (titles like WonderFlora and UlyssesThe Inquisitor’s Tale: Or the Three Magical Children and their Holy Dog, Three Times Lucky…)
  • 5th grade: Other-Worldly-Whimsical (The Magician’s Elephant, The Boy Who Swam with Piranhas, The Wild Robot)
  • 5th grade: Overcoming Odds (Rules, Miss Spitfire: Reaching Helen Keller, Holes)
  • Picture books: Challenging Status Quo (“In Mary’s Garden,” “Rosie Revere, Engineer,” “Cinder Edna,” “Drum Dream Girl: How One Girl’s Courage Changed Music”)
  • Picture books: Loss and Emotion (“The Heart and the Bottle,” “Boats for Papa,” “Cloth Lullaby: The Woven Life of Louise Bourgois”)
  • Picture books: Unexpected Endings & Humor (“Stuck,” “The Skunk,” “The Wolf’s Chicken Stew”)

Bonus feature: Integrate your search with your local library’s database!

Today, I added a button to my account that takes me from a book page on Goodreads directly to the book on my library’s online catalog. This allows me to check availability and to place a hold that much more easily! Here’s a link to help you learn how to add the button. If you run into any trouble, just contact Goodread’s customer support and they will add your library for you so you can select it from their list! 🙂

Whatever your strategy–whether through Goodreads or more regularly scheduled library visits–our students will reap the benefits when we choose to commit to move toward greater authenticity as readers ourselves.

featured image: DeathToTheStockPhoto

Evolution of the Narrative in Picture Books (& Ideas For Your Next Library Visit)

I just finished putting a slew of new picture books on hold at our local public library.

Some were new releases by more contemporary beloved authors, like a new Jon Klassen (Another hat book! “We Found a Hat”), Andrea Beaty (“Ada Twist, Scientist”), and Oliver Jeffers (“A Child of Books”).

Others were by newly discovered authors like Amy Young (“A Unicorn Named Sparkle”) and Dan Yaccarino (“I Am a Story”).

And one was Doreen Cronin’s “Click, Clack, Moo,” which I should really just go ahead and buy already, because my 2 year-old is obsessed with cows.

As my mind sifts through all these authors’ styles, I’m struck by the huge amount of creative narrative voice out there these days. And even more by how dramatically the narrative seems to have evolved over the course of my lifetime.

Classics I enjoyed in my youth, such as Tomie Paola’s “Strega Nona,” Rafe Martin’s “The Rough-Face Girl,” James Marshall’s “Miss Nelson is Missing,” and Ellen Jackson’s “Cinder Edna” (publications ranging from the 70’s to the 90’s), almost always used a more traditional third-person narrative and voice.

A larger flux of first-person reads comes to mind when I think of the 2000’s, like Melinda Long’s “How I Became A Pirate” and Jane O’Connor’s “Fancy Nancy.”

And today it seems like most of the books I check out have incredibly unique narrative techniques and voice–so much so that it’s hard to neatly classify them. There’s Adam Rubin’s playful way of alternating speaking directly to the reader (“Hey, kid! Did you know dragons love tacos?”) and to other characters (“Hey, dragon, how do you feel about spicy taco toppings?”). Jon Scieszka and Mac Barnett’s “Battle Bunny” with its dual narration. And of course, B.J. Novak’s “The Book With No Pictures” is truly in a narrative league of its own.

The upside of this shift is obviously our literary enjoyment.

But a potential downside/caution can arise when teachers get stuck in a rut on what a story should look like. Especially if they haven’t familiarized themselves with these modern classics that don’t always comply with the rules. Especially if they push the upside-down V story map so hard that students’ creative voices are quelled when their stories lack a setting (like Mo Willems’ Pigeon books) or when their pictures–not their words–illustrate the problem (like Mac Barnett’s “Sam & Dave Dig a Hole”).

In the end, I think the most important take-away is that it’s easier for us as teachers and parents to embrace the creativity if we stay current on it ourselves. If we stay stuck in the nostalgia of how things looked in our childhood, we may miss incredible opportunities to re-imagine and push the status quo.

new-picture-books

featured image: Kurt

4 Reasons To Add The Seventh Wish To Your Upper Elementary Shelves

 

Nothing made me want to read Kate Messner’s The Seventh Wish more than when I first heard it had been censored from certain schools. Plus, having witnessed the devastating effects of drug abuse in loved ones myself as a child, I was anxious to see her approach to such a difficult subject for younger readers.

And she exceeded all expectations. Here are four reasons you should add this book to your elementary school libraries and read aloud lists this year:

It’s a realistic fiction with a touch of fantasy your kids will love

One would be justified in worrying about how to address drug addiction in a realistic fiction for kids–how to avoid dwelling on its dark and all-encompassing realities while also avoiding an overly light-hearted tone that minimizes those realities? Messner masterfully achieves this by weaving the subject through other realistic and highly-relatable themes: feeling noticed by parents, helping friends who struggle with school or home, and pursuing dreams in sports. And to cap it off, she gets readers imagining what would happen to these if you found a magical wish-granting fish. She goes on to illustrate the impact on all these when a family member gets caught up with drugs, including a powerful parallel depicting the dangers of believing there’s any silver bullet that can solve our problems.

For the many lonely kids for whom drug addiction in a loved one is already a reality, it gives validation, hope, and courage.

Messner shared one librarian’s reasoning for pulling the book from her shelves:

“It’s not that I don’t think heroin addiction is extremely important. Our community has faced its share of heartbreaking stories in regards to drug abuse but fourth and fifth graders are still so innocent to the sad drug world. Even two years from now when they’re in sixth grade this book will be a wonderful and important read but as a mother of a fourth grader, I would never give him a book about heroin because he doesn’t even know what that is. I just don’t think that at 10 years old he needs to worry about that on top of all of the other things he already worries about… For now, I just need the 10 and 11-year-olds biggest worry to be about friendships, summer camps, and maybe their first pimple or two.”

But the devastating truth is that we can’t control what our 10 and 11 year-olds’ biggest worries are–and it’s unfair to ignore that drug addiction in family members is already the reality for far too many.

In the story, Messner validates those realities young kids face: the loneliness and embarrassment. The deception and theft. The pain of watching your loved one slip away. We cannot know how many of our students face this daily. But the real question is how many could be encouraged by this story’s message to know that they are not alone and that they can find a safe place to talk about how they’re feeling?

Furthermore, in the event that drug abuse has thankfully not yet touched the life of a younger child, this book will help him/her develop both awareness and empathy for their friends that have or will feel its impact.

It helps kids catch a glimpse of what true resilience looks like.

“But there’s no answer for this one. Mom didn’t do anything wrong.

It’s not fair. Life has rules, and if you follow them, things are supposed to work out.

If you place in all your dances, you get to move up to the next level.

If you brush your teeth, you’re not supposed to get cavities.

If you love your kids and take care of them and send them to a good college, they’re not supposed to stick needles in their arms.

But I guess it doesn’t work that way. None of this is working the way it should. Because Abby was stupid enough to try drugs.”

So much of what happens in life is out of our control–a fact kids know better than most. If we try to perpetuate the “fairness” of life in the name of protecting our kids, we only rob them of a developed sense of resilience when that false dichotomy is challenged.  

It breaks away from the stereotypes of drug abuse users in typical D.A.R.E. programs

“We learned about heroin in the D.A.R.E. Program, when Officer Randolph came to talk to all the fifth graders about drugs. We had to watch a movie, and in the heroin part, these raggedy, greasyhaired people were sitting around a smoky room, sticking needles in their arms.”

Charlie keeps returning to the fact that that as a great sister, student, and athlete, Abby had never looked like the people in those videos, which makes the entire situation much more shocking and difficult for her to understand. But Messner’s decision to depict a user from a stable, loving family helps readers gain broader perspective that drug abuse doesn’t just happen to “those people,” but that it is a choice made by individuals everywhere.

I believe that sharing books that provide such a perspective would have a more powerful and long-lasting effect when it comes to drug prevention.

Have you read The Seventh Wish yet? Please share your impressions below!

featured image: John Liu

Do Summer Reading Program Incentives Work?

I guess this question depends first on what libraries hope to achieve by setting incentives with their summer reading programs.

Is it to get kids to enjoy reading?

Is it to create a community of readers?

Is it to reward kids for their growing love of reading?

Is it to get kids to come to the library who may not otherwise do so during the summer?

And maybe it’s a combination of a few. But amid all the research on the harm that extrinsic rewards and even reading logs themselves can have on students’ intrinsic desire to read, it does make me stop and think.

Don’t get me wrong. I love our community’s summer reading program–the story times, the crafts. My daughter even pretend plays “library,” directing her cousins to call her by the name of her favorite local librarian. But it’s the incentives aspect that I wonder about, both in the library and at school.

Take the third possible question, for instance. Aren’t the kids who are being brought to the library on a regular basis also typically receiving reading immersion at home? (habits like laptime reading as babies, bedtime stories, healthy book collecting, watching parents read, etc.) So it seems to follow that kids who receive summer reading program rewards are being doubly rewarded–mostly for their parents’ initial commitment to cultivate a love of reading. Which further follows that the incentives aren’t actually rewarding growing reading habits, but existing reading habits.

Then there’s the matter of tracking books. Libraries and schools will often put stipulations on books to “qualify” toward the quota–after all, we don’t want to give the same reward to a nine-year-old who read 20 picture books vs. one who read 10 hefty chapter books, do we? (I have certainly bought into this thinking in the past)

But consider this anecdote from Misty Adoniou:

“When my son was nine years old, he put aside the large Harry Potter novel he had been slowly, but enthusiastically, reading each evening and instead began ploughing through lots of fairly uninspiring books that he brought home from school each day.

It turned out the Year 4 teachers had devised a competition at his school – whichever class read the most books would be rewarded with an end of term pizza party.

The aim, I presume, was to motivate the children to read. It is ironic then that the effect was that my son stopped reading for pleasure and instead began reading for the numbers.”

Don’t students get enough of this numbers game without summer reading programs jumping on that bandwagon, too?

I really appreciated how Nancy Bailey put it in a recent article, “Those who control what a student reads, really mean they don’t expect the student will read without being pushed to do so. They actually have low expectations, or no expectations, of the student.”

Of course, every summer reading program is different, and many strive to give as much choice as possible to their readers. But for the sake of protecting and cultivating our readers’ authentic love of learning, we need to be ever-vigilant for incentives that make reading about a carrot and stick instead. 

featured image: Bethany Petrik